Music Hall: The Business of Pleasure – Peter Bailey (ed.) (1986)
Author(s): Peter Bailey (ed.) Organisation/Affiliation/Publisher: Open University Press Date: 1986 An edited collection of essays examining the history and socio-economic context of music hall from the...
View ArticlePatterns of listening through social media: online fan engagement with the...
Author(s): Lucy Bennett Publisher: Social Semiotics, 22:5, pp. 545-557 Date: 2012 In recent years, the expansion and use of mobile Internet and social media have changed live music engagement and...
View ArticleLive and prerecorded popular music consumption – Juan D. Montoro-Pons and...
Author(s): Juan D. Montoro-Pons and Manuel Cuadrado-García Publisher: Journal of Cultural Economics, Volume 35, Issue 1, pp 19-48 Date: February 2011 Changing consumption habits have rearranged the...
View ArticleGigographies: where popular musicians play – Dave Laing (2009)
Author(s): Dave Laing Publisher: Popular Music History, Vol. 4, Issue 2, pp. 196-219 Date: August 2009 Using an approach pioneered by the literary scholar Franco Moretti, this article maps popular...
View ArticleLive Music Census in Victoria, Australia – Dobe Newton
This week’s guest blog post is by Dobe Newton, organiser of the live music census in the state of Victoria in Australia. In this post, he gives some background to the census, a discussion of the...
View ArticleSteering a review: some reflections on a gig – Martin Cloonan (2013)
Author(s): Martin Cloonan Publisher: International Journal of Cultural Policy, Volume 19, Issue 3,pp. 318-332 Date: May 2013 This article both reports and reflects upon the author’s experience as part...
View ArticleLiveness in Modern Music Musicians, Technology, and the Perception of...
Author(s): Paul Sanden Publisher: Routledge (Research in Music Series) Date: 2012 This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an...
View ArticleRethinking grass roots musicians and the small venue “crisis”. Chris Adams
Last year’s LMX intern Chris Adams (aka self described failed music-maker Piet Haag ), adds to the ongoing discussion over the small venue crisis with an alternative and musician focused perspective....
View ArticleSelling the experience: The worldviews of British concert promoters – Martin...
Author(s): Martin Cloonan Organisation / Affiliation: Creative Industries Journal 5(1-2) Date: 2012 Abstract: Based on a series of interviews conducted between 2008 and 2011 with UK-based concert...
View ArticleMediation and Liveness in DJ Performance – Kim Ramstedt
This week’s blog by Kim Ramstedt is a discussion of issues related to the study of superstar DJs and follows the recent death of Swedish DJ Avicii. Superstar DJs frequently perform on the main stages...
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